The miracle of facebook for me is that I was able to reconnect with Aaron, the tiny babe I cared for from the time he was two weeks old until he was two years old. What an adorable little golden- curled personality was this child.
I would stroke the little soft spot where the cranium has not yet closed in infants ever so gently, barely touching it. A look of sweetest contentment would enlighten his already Yogic little face as he lay upon my belly, then the two of us would sleep an hour or two.
His first word was "Nanra," for Chandra. Then he said "Mama," "dogie" for doggy, "hoie," for horsie for the giant horse that the Revolutionary War soldier rode in the enormous painting at the Berkeley Art Museum. It was wheelchair/stroller accessible, and I frequented it with Baby Aaron on a regular basis.
I had taken care of and taught art to hundreds if not thousands of children (beginning when I was eleven, until well into my thirties) by the time I met Aaron, and after as well; but he is the stand-out in my memory, the most precious little infant of all. we met when I was twenty-eight, as I recall. Now Aaron is studying for the Bar examination!
Pages are from my book, Insomnia (Awakening).
Assemblage sculpture was the first of it's kind that I did. It is made from the baby-suit, tiny tee-shirt, and outgrown stroller given to me by his mother. It was created in the garage of his parents that they graciously allowed me to use as my art studio.
2 comments:
what a delicious, beautiful thing—your finding each other again, and your exegesis on the evolution of your work with and about children.
I like this way you have of letting me know about your new blog, "Sitting One."
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